Making Room for the Music We Can Meet Today

Discover a personal story of piano lessons for an adult living with Parkinson’s disease at Chorus Music Therapy & Education in Cambridge, exploring patience, music and moments of calm.

Cloris Wong

10/14/20262 min read

a close up of a piano with a person in the background
a close up of a piano with a person in the background

Beginning with curiosity

Recently, I began working with a piano student who lives with Parkinson’s disease. I was initially struck by their determination to continue learning, particularly because they navigate difficulties that can make playing feel uncertain. As our sessions continued, however, I realised that determination was only one part of the picture. I was beginning to understand what playing the piano means to them.

They explained that playing is the one time when their hands can feel a little steadier. This is their own experience of the instrument, rather than a promise that each session will be easy. Their hands can still be difficult to control, and some days at the piano are more frustrating than others. I want to hold both of those truths with care.

Finding a place to settle

From my perspective, music seems to offer moments of emotional calm and a space to settle. It gives my student a way to be with their present condition without asking everything to feel perfect first. There is no need to hide the difficulty, or to make every session demonstrate technical progress.

As a piano teacher and music therapist, I am there to teach technique, but that is not all that takes place. I also make room for the student to sit, pause, take their time and engage with the music at their own pace. Sometimes a musical moment is found in playing; sometimes it is found in listening, preparing, or simply remaining connected to the instrument. I deeply appreciate the patience and commitment they bring to this process.

Adjusting together

When playing feels particularly difficult, we explore practical adjustments together. We might consider the height of the seat or the student’s posture. We can notice the difference between the touch of the piano in our sessions and the instrument at home. We also think about how comfortable the student feels in the room that day.

Environmental conditions or the weather may be things we wonder about as part of the wider context, but I do not assume that they cause changes in symptoms. Instead, we stay attentive to what the student is experiencing and respond with flexibility. Small changes can create a little more room for choice, comfort and participation.

What the piano is teaching me

This experience has reminded me that learning music is not always a straight line towards greater fluency. It can also be a way of meeting ourselves honestly, with curiosity and respect. The student’s progress cannot be measured only by how accurately a passage is played or how much technique is covered in a session.

I am learning to allow time for adjustment, to accept how we are feeling in the moment, and to recognise that a meaningful musical experience does not always depend on technical progress. Sometimes the most important work is making enough space for a person and the music to meet each other as they are.

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